Buttery Moon

I was going to watch my first born daughter (Ema Jean) launch her second CD (Room for Fascination) the other night and the moonrise on our way to the venue was spectacular. Sharon observed “look at the buttery moon!” which, in itself is a miracle because I am usually the one that points out celestial events to her. I looked at the moon and it was indeed buttery in at least two ways. The first way that I observed was a shininess, a shimmer on the almost perfectly round orb. The second sense was that it looked like a pat of butter. Not the square ones, but the round ones you might get at a higher scale restaurant. I loved the phrase. I like the rhythm of it and the fluttery, buttery, come whatery of it.

The evening was a stunning success. The concept for the album about her journey through some trials and tribulations and the execution of the music were inspired and inspiring.

Ema Jean emerging from her Chrysalis

You can hear and purchase Ema Jean’s music here: https://emajean.bandcamp.com/album/room-for-fascination

My daughter’s voice was indeed “buttery” in the sense of smooth and slippery and also in the sense that almost everything is better with butter.

I was determined to write a song called “Buttery Moon” and I picked up my guitar and the first chords that came out were Ami to Fma7 which is a favourite progression of mine and of two of my songwriting heroes (Bob Dylan and Neil Young). It is OK to trust that almost all chord progressions and melodies have been discovered before, yet can seem fresh and new like a newly built house that has the same design as the neighbour’s but has the individual tastes and decorations of home. Then the first verse spilled out in one splash. I went to bed with the wheels spinning about where to go next. Nada except lack of rest….

The next day I was sitting with my coffee and watching the action around our bird feeders in the backyard and I was struck by the simplicity and wonder of our natural world. A poem came out that fit the other song…Buttery Moon. How to reconcile this? abandon the first? store them separately in the notebook?

I took the dogs for a walk in the park and caught a snowflake on my tongue which reminded me of walking another dog in another park at another time late at night and another verse was born.

I realized that the three seemingly disparate songs were related somehow as they all came out of my imagination, but could not reconcile that they evoked three separate experiences and there were jumps in time of day and weather…. then I realized that they all did belong together as they all reflect gratitude:My daughter and her music (which was positive and thought provoking), The indoor and outdoor birds that bring me joy and peace while they go around just being birds, and finally, the sounds at night walking in the cold city in a Canadian winter. So many things in there: Family, wife, nature, sound, music, exercise.. all gratefully brought together under the Buttery Moon.

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My baby sang out last night from her Chrysalis

(E)merging from the shrouds of clouds like a buttery moon

glowing over the darkest nights of dissonance

Shining healing light on ancient wounds

buttery moon, buttery moon

buttery moon, buttery moon

shining healing light 

on ancient wounds

on ancient wounds

(There were a) dozen different birds out back today grazing on seeds

(in the) blowing snow they know where to go to fulfill their needs

bless their little souls they don’t complain

in the snow, sleet, hail or the driving rain

the driving rain, the driving rain

driving rain, driving rain

cleansing, washing away

residual pain

residual pain

(catching) snowflakes on my tongue in the cool crisp air 

(there may be) better places on this earth, but I don’t know where

(I hear a) rebound off the boards at the rink across the way

someone letting off steam at the and of the day

the end of the day, end of the day

end of the day, finding my way under the buttery moon 

buttery moon, buttery moon

buttery moon, buttery moon

shining healing light 

on ancient wounds

buttery moon

“Levesqueing”

I never noticed before,  but my father-in-law combs his hair forward and slicks it down. Due, I suppose, to his attempt at minimizing the effect of his ever encroaching forehead. Looks sort of like Caesar (or at least, Graham Chapman who played Caesar in “The Life of Brian”) or the British director Lindsay Anderson. It got me to thinking about baldness. More specifically, the disappearance of the “combover”. I wonder when the last time was that I saw someone “Levesque” their hair. 

Is “Levesque” even a verb? To “Levesque” one’s hair is to grow one side of fringe that can be combed over to meet the other side. Named affectionately (or not) after a former chain-smoking Premier of Quebec whose combover was quite evident. Defining, in fact.

My friend Allan has what he refers to as “Bozo wings” when he lets his fringe grow too long. Another friend John is mor Icabod. Picture the actor Christopher Lloyd as Dr. Emmett Brown in “Back to the Future”. 

Many of my friends just shave their whole head at the first sign of “male pattern baldness” which disguises their age somewhat in that it makes them look tougher, younger, smarter. One friend with a “chrome dome” looks sort of like Daddy Warbucks another like Kojak and yet another friend looks like Yul Brynner. I think the shaved head looks best.

My ex-friend “Dan” lost his hair in his early twenties and he was quite uptight about it at the time because he was a musician and thought he needed hair for it. My friend David (who I have never known with hair) put a female wig on at Hallowe’en and it really did transform him. His face now framed with blonde tresses made him look like someone else entirely

I am into my 60’s and have a full head of hair still. A bit of grey, but not pushing it. I don’t know how my hairless friends feel about being bald. Some have said “you’re lucky” to have a full head of hair implying somehow that they are less lucky. I always point out that my head is this huge square block that if shaven would scare kids…Every bald guy I know has a round head, and baldness in their case is not the aesthetic disaster it would be in mine 

One thing for sure, and I suppose the reason for this essay is that I am glad I never had to “Levesque” my hair.

Songs of Autumn: 2016.

The year 2016 saw many icons of music die who had had an impact on my life. In January, the rock artist David Bowie died within days of releasing the masterful and poignant Black Star. On Nov. 7 Leonard Cohen died; On November 8 the unspeakable was elected in the U.S.(democracy died). On Nov. 13 Leon Russell,and Nov. 15, Mose Allison died. These may not mean anything to you, but were huge losses to me.

In a year marked by such public tragedy and grief, an enormous personal tragedy befell me and my family. Our beloved friend (uncle to my girls) Danny Lewis died on October 21st.

Danny wore many hats in his life. It would be hard to find anyone more interesting and/or unbelievable than Danny. He was well-travelled, had jobs from taxi driver to potter to technical writer and organic farmer. He seemed to know so many odd facts, conversed at length on disparate subjects and always injected his thoughts with abundant humour and intelligent ideas. Some of Danny’s stories were pretty far-fetched, but he was always able to convince that most elements of the story were true and that if there was some reason to stretch it, that also became true. His stories, rants, and his general take on things delighted and fascinated all who came in contact with him. My daughters loved him dearly. He was a confidante and a sage non-parental unit to them.My younger daughter even has a caricature of Danny tattooed on her arm. I valued Danny as a friend. He never let me down except by dying….

The girls and I spent lots of time at Danny’s organic farm in the Eastern Townships of Quebec, near the Vermont border. His farm was on a crest of land that Danny bragged was the highest elevation of arable or cultivated land in the province. Who knows if that is true or not? The way Danny said it, it became true. He called his printing business and his farm “Topedahill” which is a nonsense word that he was able to get past the Office de la langue Francais (businesses in Quebec can’t have English names.) Danny was clever. Danny was kind. He let my family vacation at the farm dozens of times. When I was going through my separation and divorce he sheltered me and the girls for many months at his home in the city. Danny seemed unfazed by visitors. He always greeted phone calls and visitors enthusiastically, even when he was suffering and in dire pain. In 2007 I wrote the song below for Danny. The original recording of this song was a “one off” demo that I gave to Danny and, like him, it is gone.

Danny’s Farm
By: Ian Goodall Hanchet

I’ve got a friend who lives on Topadehill If I
need someone to help me I know he will
Life’s a bit too hectic here
I need a rest I need some cheer

I know the country’s where to go so I
Hop into the car you know it isn’t very far
I’m going down to Danny’s farm
down to Danny’s farm
down to Danny’s, down to Danny’s farm

City life is too eclectic
Everything is too electric
I’m gonna sink like the Titanic
Get me back to where life’s organic
(chorus)
I know the country’s where to go
When I need some country charm
I just go down to Danny’s farm

when I’m on the fringe and every
thing has come unhinged
then I know it’s when it’s time to
take me there again
(chorus)
When I need to get away
When I need things to go slow
I know where to stay
I know where to go
(chorus)

©2007 I.G.H

On September 21, 2016 Leonard Cohen released a CD for what was going to be his last time. I purchased “You Want It Darker” as soon as it was released. Leonard’s late in life music tended to blues forms and lyrics that rhythmically interested me. The song “You Want It Darker” hit me like a freight train. I transcribed and learned it immediately. I don’t often cover Leonard’s songs, but this one hit me in the same way “Make It Rain” by Tom Waits hit me. They could be companion pieces. When the news of Cohen’s death in November spread through the tiny “folk” community to which I belong , we immediately went into mourning. My friend Brenda worked for the synagogue that was going to process Leonard’s funeral and had been sitting on exclusive news of his demise for three days (Leonard died on the 7th and the news broke on the 10th) before the news became public. She was present at our open mic. and heaved a huge sigh of relief and tears and had a stiff drink. She had been sworn to secrecy, and like the trustworthy person she is she kept her word. We musicians immediately wanted to pay tribute. My contribution was “You Want It Darker”.

Retracing my autumn, I go back to a story of what my friend Hal Newman posted on the 20th of October just a day before Danny died. Hal lived in Stanstead, Qc. on the border with Vermont. He had been awakened pre-dawn by hundreds of crows ( a murder of crows) in a tree outside his bedroom. I quipped “Murder On The Border” which I thought would make a great song title. (Apparently already existed as a book and movie, but I didn’t know that.) We agreed that it was a great song title. With Danny dying the next day I was “distracted” and forgot about the title until I started to imagine macabre scenarios. Danny’s body was at the morgue (as yet unclaimed by his family) and lengthy conversations between us survivors added to the imagery. Danny’s farm is also on the border with Vermont about 18 km away from Hal. Many of the scenes I imagined in this song are actual locations on Danny’s property. I was drinking coffee at my favourite Mexican cafe (Cafe 92). On the walls are beautiful and macabre posters celebrating Dia de la muerta. The next day we were to celebrate Danny’s life and commit his ashes back to the earth. This song is the confluence of Leonard Cohen, Danny, Cafe 92 and the Crows and Hallowe’en approaching. The song and the video arrived effortlessly in my imagination.

Retracing again, I received three urgent messages from my accountant which was highly unusual for October. Danny and I were both clients. I believe it was Danny who recommended him in the first place. We were both viewed by Doug as “slackers” in the tax filing department. It was a standing joke as to who would get his crap in first. I knew it was something bad. The news broke my heart. I then got to the task of informing others of this sad news. My daughters took it very badly. Friends in common were aghast! My friends Peter and Helen had had Danny over the night before and there were no indications of anything beyond the usual wrong with Danny. The next day, this came out:

Three urgent messages
What could be worse?
They always said of love
Someone always leaves first

two short words

there goes my universe
Your heart gave out
My heart just burst

Who can I call now?
Danny knew everything
Who can I call now?
Danny was always there

Who can I call now? He was my first call

who can I call now? he could spin silk

Who can I call now? who will divert me?

Who can I call now? Why’d you desert me, huh?

With news good or bad
Any time of night or day

He never let me down
He never pushed me away
Who can I call now? Danny knew everything

Who can I call now? Danny was always there,
Who can I call now? Now that Danny’s gone

Late Autumn is generally a stark and foreboding time of year where I live (Quebec). The trees become skeletons and the ground becomes hard. We all know what is coming. This Autumn of 2016 was the worst. The US election was the foulest and worst nightmare scenario imaginable. I won’t talk about that here because there has been too much written about it already…. I was a big fan of Leon Russell. His “Stranger In A Strange Land” and “This Masquerade” are two pearls among many others. Wonderful musician. Mose Allison was a witty and sardonic Jazz and Blues artist whose style and hipness and great songs influenced me greatly. Needless to say all this death and dying and the hopelessness of the world events weighed heavily on my shoulders. This ensued:

Live recording from Mariposa
fields at Danny’s Farm

Thank you for reading and listening. I apologize for jumping around in time. It isn’t supposed to make chronological sense. Hard to make any sense out of anything when grieving. I hope I was able to convey that songs don’t just come out of nowhere. This was a sad period. Art was made.

Life goes on until it doesn’t.

The pond at Danny’s Farm

No Pain, No Pain

I just realized I don’t have any pictures of David.

David McDonald (from St. Eustache) was a high school friend who I stayed in touch with for almost thirty years after we graduated. The last communication I had from him was in January 2004. A postcard from his hotel room telling me he had lost all his e-mail addresses when the Tsunami hit Krabi. He said he was banged up a bit, but survived, and would be home in time for his birthday in February. A few days after the postcard arrived, I got a mysterious phone message from one of his sisters urging me to please contact her. I figured it was about a surprise party for his homecoming/birthday, but the news was dire. David had died  in his hotel bed while reading. Shock and disbelief and questions swirled in my head. 

David loved to travel. He was a consultant for CIDA (Canadian International Development Agency) and essentially travelled all over to write papers on whether Canada should invest in various projects or not. He was a geographer, and assessed environmental impact of these projects and whether everything was in line with our governmental policies concerning every aspect of investing. He loved his job, fluent in French, English and then Spanish, he was able to travel broadly to nations that spoke those languages.

He even travelled for vacation. Dave was in Thailand after spending nearly a month in Nepal on vacation. These are places with great and readily available drugs. My friend was a connoisseur. David was a “Bon Vivant”. The official story of his death was that he was missing his blood pressure pills and he was banged up. My instinct told me otherwise. 

We were taught by Presentation brothers at a boarding school for “troubled youth” in Montebello, Quebec and all the boys had “house duties”. Ours was to care for Brother Raymond’s plants while he was off in Ireland (he was “Provincial”, which meant he overlooked several schools and several other groups of monks). Dave suggested that we plant some  pot seeds among Brother Raymond’s other plants, so we did. The pot grew well and we were never detected. We replanted some outdoors and there was a photo of him and me grinning through the leaves. At the funeral, his sister said she had that photo and promised to send it to me. Didn’t happen.

Several times a week we all had to “run the U” for exercise. The “U” a 7 km route through picturesque rural Quebec farmland. Picture a hundred boys running along a gravel road that looped back in a “U”. Brother Stafford was driven  up and down the road in a Renault with his portly head poking up through the sun roof and encouraging us to run through his megaphone by saying.    ” remember boys, ‘no pain, no gain!'” 

One hot sunny day in May, David and I were really lagging behind. We were only running half-heartedly, and when Brother Stafford (who we all referred to as ‘Agnes’) had driven past us, David said “follow me” and we peeled off to the left and into a thicket of dense trees.

There was a footpath that led us to a hidden swimming hole at the foot of a tiny waterfall in a creek surrounded by moss and ferns and heather. It was heaven. How David knew about this, I’ll never know. We stripped naked and plunged into the dark pool and frolicked and laughed joyfully in the cool refreshing water. We got out to air dry on the moss and David lit a joint. We laid back and marvelled in the moment at the beauty surrounding us and Dave’s cleverness at not only avoiding the “U”, but at creating a perfect moment, now a perfect memory.

After a while in our reverie we heard the lead boys returning, (the other side of the “U”) the rhythmic pounding of sneakers on gravel and much puffing and snorting. We heard the Renault whizzing back and forth. We got dressed and after the largest body of runners had passed, we bolted out of the woods with our still wet hair and tucked safely in with some exhausted and oblivious Juniors and we pretended to look like we’d run the whole way.

Dave turned to me and said slyly, “No pain, no pain!”

David is on the left. Picture found on the net

Organic Fertilizer (part 1- The Hammond B3 in Rock)

I started out to say that ever since I heard a Hammond B3 organ I was enraptured, but that would not have been accurate. My first experience of it was quite awful. At Rockland Shopping Centre in Montreal when I was a boy they had hired some “square” to play music from time to time (it may have been regular ). It was pretty ghastly. Cheapo beguine rhythms on a rhythm ace and corny sounds and really a “square” sound. I was an organ snob. I sang in the Cathedral choir after all. My choirmaster could play a 4 manual organ and still play the bass with his feet. The shopping centre sounded “cheesy” to me. Like this…..

My first significant encounter with the B3, however, was through the radio. I may be leaving some out, but it was probably “Good Lovin'” by the Young Rascals in 1966. I had not made the “brand” connection yet. Felix Cavaliere was obviously someone to listen to based on that solo. Around this time I also heard “Gimme Some Lovin'” by the Spencer Davis Group with that hypnotic ostinato intro: da da da da dah dum. da da da da dah dum. repeating which caught my attention and then the nastiest sounding organ with that huge funky flourish caught my soul. So amazing.

organ solo at 1:36
organ in video is not a B3…. the sound is from the record which is a B3

I then discovered Santana. I am a guitarist and I found his playing inspirational. The organ riff on “Hope You’re Feeling Better”‘s was so powerful and visceral and the clave figure starting off “Oye Como Va” played on the organ was also delightful. I then went back to their previous album with the great percussion features…. “Waiting” has great textures (control of the Leslie speaker and voicing shifts) and features Chester Thompson going wild….. way before the lead guitar enters…. I love Santana’s music. I have continued to follow the band to the present.

The album ends with Soul Sacrifice which also blew my mind. Listen to the organ growl and then the trading of phrases between Carlos and Chester….. the bomb!

My musical education was taking off right around then, and the next few examples are not necessarily in order. The Small Faces had a hit with “Itchycoo Park”. Listen to the riff just after the first line “On the bridge of sighs”…… It is perfect and propels this song…Ian McLagan was a master of the B3.

What did they do there?….

The Zombies featuring Rod Argent, then Argent…

organ solo at 1:23

When I hitch-hiked across Canada at age 16 in 1972 the shorter version of this was on the radio in most cars. Other songs on the soundtrack of my adventure : “Rocket Man” and “Long Cool Woman In A Black Dress”…..

Listen to how the organ fills this track… awesome stuff.

This is a DUO!!! Lee Michaels who plays piano and organ and clavinet on this and a drummer…… power chords on the B3. Pretty sure the piano and clav were overdubs, maybe not. I like this track.

Steven Stills is mostly viewed as a guitarist, songwriter and a singer, but his organ playing on this is remarkable.

Good God Amighty!!!!…. Deep Purple…. This was my intro to them.

And this…. The album sounded better, but this looks so good. tight trousers, bad teeth and 1970’s hair…. Organ is a bitch! Jon Lord was great on this!

I saw Focus live in 1973… they had a big hit on the radio with Hocus Pocus, but their album cuts still interest me. This suite has so many different ideas in it. Organ is so great! 3:18 a great little solo. The organist (Thijs Van Leer) also played flute and yodelled.

OK, not a B3, but Garth Hudson brought the organ to the fore. It was a Lowrey….

Not forgetting Booker T and The MGs and the Meters whose funky instrumental music I adore. There are many examples of Booker T’s brilliance but I am partial to “Melting Pot” for the groove and the over use of reverb on the organ which renders this perfect.

I first heard Nelson Symonds (Montreal guitarist and friend of mine) play “Cissy Strut” at Rockhead’s Paradise. Nelson told me what it was. I was unfamiliar with the Meters, but became an immediate fan! Led to the Neville Brothers later on as well. Art Neville (keys) died this last summer… a great musician.

listen to the soaring organ note at 1:22 leading into the improvised part of the performance…

Billy Preston had a hit with the Gospel song “That’s The Way God Planned It” I had heard of him (and heard him) via his connection to the Beatles and the organ at the beginning of this song are the same chords as O Canada…lol. I used to sing along with this “That’s the Way…God Damn It” which my mum forbade me from singing in her house….lol. I had misheard the lyrics. The organ solo at 1:57 is gorgeous.

Around this time I became aware of the Allman Brothers. Greg Allman got switched to organ!!!!! He is perfect for this band. One of my favourite cuts is “In Memory of Elizabeth Reed” The organ chords just humming along calmly and the song built on top. The live at Fillmore is long, but it won’t seem long. Bon Voyage…

I was drawn to Roy Buchanan through his Second album, but on the first album he had this “hit” Which is essentially instrumental with spoken “lyrics” that are unashamedly religious. The guitar is outrageous…. He makes the Telecaster Scream, Moan and generally suffer. Listen to the organ though…..It is padding and goading and is so beautiful on it’s own. The chords are shifting one note at a time… masterful voice leading. The original is worth seeking out, but this live version is great.

Then I discovered Tower Of Power……Everything about this group excites me still. I have seen them live many times. This cut is a great example of how the organ drives…. Hard to just choose just one example. Listen how the organ counterpoints and cuts through the mix with this huge band (5 horns, guitar, bass, drums and vox). The playing at the end is so great!

at 3;08 til the end….

There were many great organ solos not on Hammond, but I’ll leave that to someone else. Part two of this article will deal with why I started writing this today. Jazz organ coming soon…. I woke up this morning and put on “The Mighty Burner”…have mercy!

Borders

Cars line up to cross into the U.S. at the border on Feb. 25, 2017, in Saint-Bernard-de-Lacolle, Quebec.

I live in Montreal,Canada, and I stay put most of the time. I have my wanderlust in check. I love it here. Last night, a friend of mine pointed out that I have been travelling a lot lately. I guess I have. I vacationed in North Wales and did side trips to London and Liverpool. I also recently played a gig in our nation’s capitol, and most recently made a trip to New York City.

I travel to the States most often. I have a daughter, friends and extended family who live there. Travelling by automobile, it is reasonably easy to visit adjacent states. There are four states that border on Quebec: NY, Vermont, New Hampshire and Maine. I have visited all of them within the last several years despite my visceral opposition to the American president and the awful imperialistic and militaristic policies of (typically) Republicans.

Even before “T” I found the border a bit intimidating. I don’t like uniforms or guns (not in that order). My car is not pristine and I look like a hippie. I have to put on a mask of obedience and subservience at the border which is ironic as they always ask me to remove my shades, and neither obedience or subservience is prominent in my real character.

My wife simply WON”T go since the election of “T”. She always feels traumatized by the border. She was not born in Canada, she was born in India which always results in further scrutiny from the border police. She has about as much in common with terrorism as a kitten has in common with a python.

In the summer of 2016 (pre-T) I rented a cottage in Vermont for several days. I had to split my vacation between my wife (3 days) and my girls (4 days) due to their conflicting work Schedules. This meant I had to traverse the border several times in either direction with different passengers in the car. I witnessed my wife’s discomfort and we got questioned (not about her nationality) about the two Shih-Tzus travelling with us. They let us pass, but scolded us for not having their papers with them….. After our three days together we returned to Montreal and I piled my girls into the jeep and we returned. BAM! Pulled over, car searched, tomatoes confiscated….the elder daughter was questioned about a student visa she had had to study in Texas. It had been 2 years since she had decided to not pursue the degree and moved away. After a half hour of waiting they let us through and supposedly entered her change of status into the “system”.

At Canadian Thanksgiving that year, my siblings and I rented a house on Lake Champlain just across the border. Lake Champlain is partly in Canada and separates NY from Vt. I was prepared for our weekend. We brought food and I brought my guitar. I thought going through at a small crossing like Beebe Plain at an odd hour would be a breeze…… They rummaged through everything, cut open a sealed package of cookies, didn’t treat anything respectfully. I had to bite my tongue when the guard gestured to my guitar case and asked “what is it?” and then “what’s it for”. I hate having to stifle my sarcasm. He then gestured to my box of CDs and warned “You’d better not be intending to sell those!” I said it was unlikely seeing as my family already had copies of all my CDs and we were going to a cottage. Sharon scolded me afterward for being too “familiar”.

They let us through. Then “T” happened. The world immediately got sick. I vowed to not go south while he was in office. I have since broken that vow because my younger daughter now lives there, and I have to visit her, and due to tie ups with her Visa status etc. It is best she not come up here.

I went down to NYC last week. At the border with my older daughter, we got flagged and told to pull into the customs and immigration building parking lot. We did, and went inside, but not before encountering a surly GI Joe type guy who barked at us to go inside. I thought, “How Rude” and “what an asshole!” Then I saw how he treated the next people who had just pulled up. He screamed at them “What are you parking there for?” and gestured menacingly and inhospitably (is that redundant?) to a stall.

The people behind us were a young family (Mum and Dad with a toddler and infant) who looked like they might be middle eastern (that is to say they were light brown) and as I learned later had “foreign-sounding” names.

We waited and waited to be called. I took advantage of this time to use the facilities. When I got back my daughter leaned in to me and whispered to me that we were the only white people pulled over. I looked around and sure enough that of the 20 or so people, we were the only white people in the waiting area. Ema was indignant. She said she was angry, that this was not right. I said “You’re right, but let’s keep a lid on it til we clear our hurdle.” I also noticed that EVERY officer on duty was white and male and dressed like GI Joe. We were called after a man named Malik who was interrogated VERY thoroughly with stupid questions like: “Are these your children” etc. I witnessed Systemic racism first hand.

I looked at the baseball caps with CBP on them worn by the officers and in my poetic dyslexic way, I started thinking PCB and CBD and CDN….etc. As I write I had to look CBP up to be sure of the actual acronym…..

We had to explain Ema’s non-student status over again, and they had to go into the “system” and verify everything. We got through, and they didn’t search the car which is a good thing because I have a prescription for CBD oil for my migraines, CBD is illegal in the US (which is criminal in itself…), and although I have synthetic CBD (which is allowed in the US) I also had a tablet of chocolate that was made with CBD in my luggage.

About 20 miles into the States there was a huge roadblock on I 87. A dozen or so cop cars in the median and several lines of cars waiting to proceed southward. There was a sniffer dog walking with his/her handler going up and down the line of stopped cars. I felt a bit nervous, because I know how good a dog’s nose is (ironic for a species that eats poop, but I digress). We were waved on as I showed my passport to the cop. I am surmising that they were looking for Americans who bought pot legally in Canada and were headed back with it.

We had a lovely trip. I didn’t need the CBD chocolate after all.

Coming home, we approached the border. The guard for our queue was female and her skin was black. She addressed us in both official languages (English and French) and was courteous and professional. She asked us where we lived, how long we’d been in the US and if we had anything to declare? I did. I had two bottles of “Heaven’s Door” (Bob Dylan brand Whiskey) and a framed photo that we had shipped to my brother’s place to save on international shipping. She gave me our passports back and said “Have a nice day!”

To quote Paul Simon “Gee, but it’s great to be back home”. If you hear the song as you read that, you’re my kind of person.

“Have A Nice Day” Indeed!

I Don’t Like It Here (Not One Wee Bit)

While travelling back to North Wales from London by tube and then Train I overheard a whiny little boy who quite clearly was fed up with waiting around in Euston train station. I wrote the words he spoke: “I don’t like it here, not one wee bit” in my notes folder. Back at the home where we were staying I picked up a guitar forgetting I had tuned it DADGAD. I grabbed what I thought was a D chord but in this tuning was a D7. The next chord (Bb) was just where the song went…almost like it was dictated to me. The words rushed out in a torrent as I channeled my own experiences of discomfort and imagining those of children with Autism who I have known. As I was writing it all down I was aware that I actually DID like it there. It was a beautiful experience to travel in my ancestral homeland.

Everything is noisy, no-one’s sitting still

I won’t drink the poison, I won’t swallow that pill

I don’t like it here, not one wee bit

my clothes are feeling itchy, I need to take a shower

feeling itchy, snitchy, bitchy,  minutes seem like  hours

I don’t like it here, not one wee bit

everyone looks worried and no-one looks around

scurry hurry worry, people driven underground 

I don’t like it here, not one wee bit

we all know time is fleeting, time to beat the clock

time to miss more meetings, time to take a nature walk

I don’t like it here, not one wee bit

(today) all the trains are running, but nothing runs on time

pacing, racing, chasing, I have no peace of mind

I don’t like it here, not one wee bit

I tend to glorify the past I want time to stand still

but nothing ever lasts and nothing ever will

I don’t like it here, not one wee bit

I feel ill at ease, like I don’t fit my skin

I need to be released, my patience is running thin

I don’t like it here, not one wee bit

cooped up, locked, up locked down, locked out,

look out, look up black out, fed up

I don’t like it here, not one wee bit

I don’t like it here, not one wee bit