Last night while sitting with friends, I watched as several people came in from the minus seventeen degrees outside to the very warm atmosphere of the café. Every one of them wearing glasses had to stop at the top of the stairs, blinded by their own eyewear.
People who have never fully experienced the kind of climate we usually can expect in January and February in my part of Canada may need an explanation of a phenomenon that happens to everyone who wears eyeglasses.
There is always water in the air landing on and evaporating from your glasses. under normal conditions, this is almost (if not outright) invisible.
When you’ve been outside in cold weather for sufficiently long, your glasses cool down, and the water that condenses on your glasses will not be warmed as much, hence the rate of evaporation decreases. Upon entering a warm building, the water vapour coming into contact with your glasses immediately condenses on the cold surface, but cannot evaporate quickly enough so the glasses fog up.
Hilarious watching patrons of the café trying to flag down the newcomers who we all know are standing there baffled and disoriented.
Fortunately the glasses will eventually assume room temperature and the condensation evaporates. This can be aided by wiping the lenses, or just removing the glasses until they become clear again.
This is my 1959 Gibson ES 175D in the loving and capable hands of Sharon Cheema (I bet you didn’t notice the guitar either!) The guitar was recently returned from the luthier where I had extensive repair and restoration work done by Joey Rosito. New frets; re-set inlays, dressed fingerboard; a kink taken out at the 14th fret. Yay F# is back. Proper (authentic) tail piece and bridge installed and replaced Machine Heads.
I found this guitar in 1976 at Izzy Cohen music on what was then called Craig St. Next to Steve’s music in Montreal. I had recently discovered jazz guitarist Joe Pass who played a similar model and was starting the huge learning curve needed to play this sort of music authentically and passionately. I had $20 to my name when I first put my hands on what was to become my lover, my confidante, my companion and sometimes my nemesis. I gave Izzy the $20 and asked him to put the guitar away for three days while I gathered up the $500.00 needed to purchase this used guitar. I entered into a summer of slavery, but I got that baby! My mother thought I was nuts (which is entirely beside the point) but she saw my passion and lent me the bread. This is the first quality instrument I ever owned. My confidence, ability, and endurance all took a huge leap forward as I plunged into a life dedicated to musical pursuits.
This guitar has toured with me, been across Canada many times, down to Australia, she played herself through the travails of my first CD. she has been seriously dropped twice, splitting open like a ripe watermelon and causing me great grief and pain. If it is possible to love an object more than I love this guitar I would be surprised, and yet it is just that, an object. my true values of worth are of health and happiness, family and friends and I would gladly trade my guitar if it was needed to restore any of these elements of my life. My guitar is just an object, but the way she sings, you can tell she is loved and I feel like stroking and caressing her for hours. She makes me play beyond my capabilities and make me seem like a better musician than I am.
En duo with Dave Turner. Photo credit Sharon CheemaFunky case. Photo credit Sharon Cheema
While undergoing a financial strain around six years ago due to a marital breakup I was forced to look at options to keep a roof over our heads. One of those options was to sell off some guitars. By far the most valuable one was this one. I had a page open looking at comparable instruments and their value. Suddenly I was confronted by my two daughters with tears in their eyes imploring me to never get rid of this guitar. One of the tenderest, hurtingest and most beautiful moments in my life.
My first guitar was (and still is) an Ariana nylon string classical guitar made in Japan in the late 1960’s. Ariana was the “budget brand” of Aria guitars. This was a cheap guitar. I had borrowed it from my older brother and learned the basic chord patterns needed to play bits of contemporary folk songs. I had discovered Gordon Lightfoot, Bob Dylan, Paul Simon and Joni Mitchell. My brother had “Songbooks” by these artists, but they never really sounded right. There was no mention in the books that the chords were not in the same key as some of the songs….to make matters worse, I could tune a guitar to itself, or to a recording (many recordings from the sixties were not A440), but sometimes things could have been easier if they had said “use a capo up a fret in order to play these chords in the same key as the artist. The internet has made things a whole lot easier. But i digress.
Even with the difficulties mentioned above, I made quite a bit of progress and when I was in tenth grade I was hospitalized for several weeks and the guitar was a great distraction, comfort and pass-time for me. My brother decided to upgrade his guitar to an Aria classical and he gave me the Ariana. I remember knowing chunks of songs and cool riffs I had heard and amassing quite a repertoire without actually being able to play one song from beginning to end. The “Reach For The TopTheme”, “Sunshine Of Your Love” etc. As it turns out, this was annoying to some. My dad asked whether I knew any entire songs, to which I replied in the negative. I then embarked on learning a song in it’s entirety. It was either “Hobo’s Lullaby”, “Death Don’t Have No Mercy” or “Don’t Think Twice, It’s Alright”. In any case, those were the first three.
Even with all the other guitars I have owned and played, this humble friend can still wreak new melodies and patterns out of me. She is not loud, but she is loved
I used to leave the guitar at the foot of the stairs in my parent’s home and pick it up on the way by after sleeping or hanging out in my room. People were always warning me that it was not a good place to leave it. One day as I woke from my nap in the mid-afternoon, I descended the stairs and saw a guitar neck andthe top part of a smashed guitar at the foot of the stairs. I freaked out
….everyone was saying “I told you so” and then I realized that the rest of the guitar was not there, and on closer inspection the neck was not my beloved Ariana after all. My brother had found the neck while he was on a walk earlier in the day and decided to play a practical joke……NOT FUNNY!
The Ariana is not exactly “Trigger”, but has spent years in my hands as I learned my craft. She is beloved.
Not quite as bad as “Trigger”Lot of varnish stripped off…practice!
I am on the shore waving good-bye to several boats steaming away from me, never to return. Or is it the other way round? I am on the boat slowly slipping out of harbour leading to new adventures.
My younger brother goes out for lunch aboutevery second week or so with a friend and colleague who has recently retired. This friend is also a grandfather and like many patriarchs nowadays, his family is spread out across the continent. He described his present life as: “a constant struggle for relevance”.
This came up in conversation with my brother recently as I was complaining how my progressive retirement was evolving, my job as a dad receding and my music reaching fewer and fewer ears. A constant struggle for relevance.
I have been, and for the next year and a half, will work at 60% (3 days out of 5)at a music teaching job that used to be 100%. This means I am done my week when my colleagues are celebrating hump day. They ALL comment. There is a growing resentment or perhaps envy and quite possibly hatred. Like anything there are up sides and down sides. On the up side I have a four day week-end. Down side is a pay drop. 60% minus still getting deductions as if 100%. Learning to live with less is not a problem yet.
I feel lower on whatever grapevine there is. I miss out on many of the social activities that fall on days when I don’t work. I am not lamenting this as missing the activities (I don’t) I get whatever gossip there is when it is already history. Just don’t feel “a part of” I feel “apart from”. I feel “a part of” many other things in my life, so no big deal….
The marginalization at work of being essentially a part-time worker, in my case is compounded by the physical necessity of our school needing to open 2 new classrooms this year. Guess which subject had to move? They wanted me to travel class to class with a cart like a musical Dim Sum cart pusher. Just call me “Squid girl”… or maybe a homeless person with all their worldly possessions in a shopping cart.
So…piano into storage….no smart board, no sound system, no place to store the roomful of instruments (most of which are mine anyway…congas, drum kit, synthesizers, etc. No office to retreat to for silence, no place set up to research new music for the kids. Homeless. Oh, and put on a concert that is as good as before with virtually no resources and due to travel, reduced instruction time…. all while feeling de-valued, disconnected, demotivated, and increasingly irrelevant.
I know in my career I made a difference in many lives. I am pleased for the most part that I have been able to spark imagination and foster creativity, and be inspired by thousands of kids over the years. I genuinely love teaching, music, and kids. This was the right field for me.
I have been particularly drawn to the children with “special needs”… I hate that phrase… the kids (some dyslexic like me) whose learning was not in a straight line, but an oblique and original, phantasmagorical way of seeing the world. Others whose physical, social or mental processes required empathy, humanity and patience.
I wanted to end my career feeling that I made a difference right up to the end. Now it appears that I am just a ditch digger making the same old trench that has been in construction since schools were invented. Grin and bear it. A constant struggle for relevance.
The other main area where I feel like a footnote are my own children. Now in their twenties, the girls are off on their own, living full and creative, useful, independent lives. One in Spain and the other in N.Y.C. On the one hand I am so proud that they have the tools to survive in an unforgiving world, and are resourceful enough to create opportunities for themselves. The other hand… is heavy with my decreased presence and relevance in their lives. From 24/7 daddy to a few texts and a phone call. A constant struggle for relevance.
I know they love me and I see lessons they have learned from me guiding them. This will never fade, but I know that time and distance erode even the fondest of memories. My dad has been dead for 17 years now, and he is still the principal influence on my life. I don’t think about him often. I can go days, perhaps weeks without thinking of him, even with his picture here in my office. Today I said “Hi, Dad” to his picture as I sat down to write, but this is a rarity. He never replies. That is constant.
I wish I had spent more time with my Dad. I got caught up in career, kids, marriage, the works. Dad always wrote to me if I was away, and I have mental images of him and my mum waiting around weekly for the phone to ring at the pre-determined time. I witnessed this several times when I still lived at home and there was a sibling who was going to call. Needing to be needed. Struggling to be relevant.
Most of the music I listen to and play is music that has enormous meaning and relevance to me and is rooted in styles from the previous century. My tastes change, but lie within the parameters of pre-determined styles and forms. It happens, but it is rare that I hear new music outside of these parameters that I would return to.
I find myself being ill-equipped to say anything positive about some of the popular styles of today. I hate those songs that start as a slow four beat, four measure piano sequence that segues into some artless plaintive vocals that eventually become what is considered a “Rock Ballad”. This seems to be ubiquitous. To me it is contrived and lacking in originality and authenticity. Then there is auto-tune….just NO! I don’t get the kind of songs that are extemporaneous disjointed phrases over loops that may or may not be in “time”. I need groove. I need swing. I need dynamics. I need surprise. How can a guy who spins discs sell out the Bell Centre? As good as he may be at what he does, what the hell is that shit?
Am I my grandfather dissing the Beatles? Am I a music snob from another era? This used to be my era…. This is still my era until I am dead. I have a constant struggle for relevance.
Why is everyone staring at a rectangle in their hand?
My father had some sarcastic words for the people who showed up at church once (or twice) a year and made sure that their offering was visible to the other other people in the congregation. One guy actually snapped his hundred dollar bills as he put them in the plate. Money can actually purchase the illusion of redemption. These people were invariably in the front pews and decked out like it was the Oscars.
I was brought up to be Anglican. This was very un-Anglican. My father actually had weekly envelopes in which he put an undetermined (to me, anyway) amount of money. He was an Aeronautical Engineer, so I am sure his contribution was commensurate with his salary. He was discreet.
Dad volunteered for all sorts of things over the course of his life including: leading youth group, being warden, singing in the choir and giving people lifts that were more elderly than he was. He walked the talk.
One of his hitch-hikers was Hermann “Jackrabbit” Johannsen (1875-1987) who is a skiing legend in the Laurentian mountains. Jackrabbit thought I was a girl (I had long hair back then) the one time I visited him at home in Piedmont. I was 18, so it was probably his hundredth birthday. I remember that I asked him how the got to 100. and him saying that aside from skiing and clearing trails that he smoked and drank daily. Jackrabbit told my dad that the only way he could stand the sermon from Canon Huffenstuff Humbug(not his real name) was to turn off his hearing aid and take a little nap.
Both my father and “Jackrabbit” are buried in the tiny Protestant cemetery in St. Sauveur-des-Monts, Qc. They are roughly eighty feet apart. The great leveller.
Getting back to contributions. As Sharon and I prepare to hand over funds we have raised for charity, I am torn between being discreet and being public. I checked to see how different organizations do this. I am sure many of you have seen those giant cheques that are built for these photo ops. I thought that might be kind of nice. They are not cheap. I nixed that idea after seeing the prices on Amazon. Waste of money. We want to turn over the full amount (without $50 wasted on a photo op). We could have handed them an envelope of cash, but these things can be lost or stolen so finally just got a “cashier’s cheque” which only cost $7.
I am not entirely sure how the exchange will take place, but it will happen at a holiday party today at the St. James Drop-In Centre. It will be a private (no press)turnover, but semi-public (photos on Social Media) mostly because there were so many people who purchased the CD, and I want them to see the fruits of their and our labours.
As I get ready for retirement from a career in Music Teaching and Music Therapy, I am happy to think that I can still contribute to society through my music and through volunteerism.
There were four of us children for all but my first four Christmases , as I am child number three and my brother Mark wasn’t born yet.. My earliest memories of Christmas are of our home in a cozy suburb of Montreal called Town of Mount Royal. They were magical and precious . Our home had a fireplace which my dad lit most evenings after supper (there is a recent by-law in place now prohibiting wood-burning fireplaces in the entire city). My dad put up lights in the window. The window in the den was divided into many different panes in a grid. My dad (being an engineer) first put in eyelets and strung twine in horizontal rows. He then measured and attached each light exactly in the centre of each pane. Two lights at the end of the string fit into holes in a papier-mâché Creche that one year needed a new Jesus as the dog chewed his head off.
During the day the window looked like a bunch of haphazard wires, but come nightfall, like magic, looked like a box of candy. It really was like a Christmas Card. Coming home in the dark after a day of skiing up north was so welcoming with the glow of those lights. One year my dad tried all the same colour, but it wasn’t the same.
The standing joke in our family was the “bushiness” of the tree that my father selected each year. My dad was not one to spend his dough on frivolities like the trees that were lit up and double the cost of the trees at the ends of rows or behind healthier, more robust ones. No Fraser Fir tree for us, no sir! Why spend $12 when you can get the “same tree” for $8. My Dad was the “Charlie Brown” of tree selection. I am not sure if my memory of these trees has been somehow shaped and influenced by Charlie Brown. I remember needles falling immediately upon placement of the tree and looking at a new tree each year and my mum exclaiming that next year we’d get a bushier one.
We had always gone “Up North” (the Laurentians) in all seasons and my parents rented cottages on lakes in summer and on hills in winter. One year, they happened upon and bought a chalet on a mountain between St. Sauveur-des-Monts and Ste. Adele. This was to be the new family home in a few years, but was for now a second home. We still spent Christmas in the city though because our family always went to church on Christmas Day, and not just because my younger brother and I sang in the Cathedral choir. Church before presents.
The year my voice changed, so did our family. My older brother and sister had both left home to go to college and my dad was “downsized” from his job as an Aeronautical Engineer at Canadair. My parents decided to sell one of the houses. They sold the one in the city, and we became “up-northers” and my dad got a new job when he convinced the Transport Development Agency that they needed him as a project engineer.
The house up north had three hectares of forest. much of it deciduous, but many stands of coniferous trees on our land. Our family now didn’t have to buy a tree, we could select and harvest our own. In October, My dad marked a tree with a ribbon that was to be our “bushy one”. The first year, he couldn’t find the ribbon (below the snow line…doh) so he selected a tree at random and handed me the Swede saw.
As we all got older the need for bushiness seemed to diminish. We still put on the same ornaments that we had been using since I was little. My dad let us select the trees. Never bushy. They looked bushy in the bush, but always looked scrawny in the living room. My mum would start the Turkey and we still went to church before presents, but the Up North church was a cozy log cabin with a cheesy electric organ and the music (although familiar) was less than spectacular. Eventually we decided to go on Christmas Eve, and that became the new tradition. As we all grew and had “significant others” members of the family would have to split their times between our family and the in-laws, and then with kids, my older siblings would come “Boxing Day”. My parents, my younger brother and I maintained this tradition until I was well into my thirties. When my first daughter arrived, she and subsequent additions to the family followed suit. The trees in those last years were puny. a mere token, but the love and warmth of family was not.
Then my dad got sick. He saw the writing on the wall and they decided to “downsize” and they moved to an apartment for seniors. As part of the downsizing, things were given to us kids and some things were sold or donated to charity. Somehow, I got most of the Christmas ornaments. I decided that we would have a tree in our home in the city for the first time in my adult life. It became a tradition of me taking the girls to select a tree. It was always fun! We never went “all out”, but I was not as chintzy as my dad, and usually the tree we chose was fairly bushy. I even splurged each year and bought matching shiny blue balls. The girls made things. Macaroni strings, popcorn, wax and dried flowers, all sorts of things. Not to mention ornaments that had been given to me by students over the years.
Larger family occasions must now be spent in restaurants or hotels or at my older brother’s. Much of the magic and fabric of the season was fading. Even the weather seemed to be moving. The tall white snowbanks of my youth seemed to be replaced with grey slush some years and no snow some years.
The music seemed to be more and more commercial and I missed the wonderful carols and the beautiful and accurate harmony of choral singing. My brother and I put together a little choir one year to do some carolling and that ignited something in me again, but Alas, he had to move away for work. All my “homes” were disappearing. My father died, my mum relocated to Ottawa, my sister moved an hour past Ottawa, my younger brother had my mum down to New York where he lives.
My own home was faltering. Tension and stress and broken communication took their toll and before the end. No one was thriving. It was cold. I didn’t have the will to put up a tree in that final year together. The next year was better in some ways and worse in others. The mother of my children was away for several months and although the house was quiet and calm, the girls and I were at a low ebb. My brother, knowing this, invited us to New York to share Christmas with his family. No tree.
When my house needed to be sold to completely liquidate the marriage, I had to leave so many things that once had great importance. I had to sell my record collection. 2,500 lps gone. As the possession date approached, things had to be moved. I put so much on the curb to be taken away. All the skis, skates, funky rat pack stuff that accumulates over 20 years and more. I threw away all the Christmas stuff. I threw away and donated furniture and clothes and books. Little pieces of my heart that were now worthless to me.
My new life that I embarked upon has different Christmas traditions that I am still trying to balance with my own needs and desires. I have a loving and understanding partner who was not brought up in the church, but who nonetheless has her own traditions of family and gift giving and decorating. I don’t love her ornaments in the same way she does, but I learned that she loved them and has a story about each of them, holding on to memories of loved ones now departed and sentiments that preceded my arrival on the scene. Her love for them is another thing to love about her.
I was awakened and wrote this poem:
My Ornaments are gone
Trifles that meant something
sometime, somewhere
….gone….
That tied me to tinsel memories
Of gathered pines and home
I left them on the curb of downsize divorce
I never missed them until just now
Four seasons into something new.
Her ornaments are testaments too
Now six seasons into that something new, and my spirit of Christmas has been awakened by a gift that we decided to give to each other.
We decided to make a CD in the studio of songs we both love and give all of the proceeds to charity. We both love making music together and we don’t really need or want conventional gifts from each other. We are lucky. We have enough. Giving to ones that don’t have enough reminds me of all the lessons I have learned from my family.
Away from the rampant consumerism and the darker side of humanity and the religious hypocrites that I have always abhorred, I have realized that doing something kind for others is that elusive bushy tree. Our gift of music is amplified by the love and support and intimate contact we have had with so many people because of this project.
Peace On Earth, Good Will To All!
Available for sale. Proceeds go to the St. James Drop-in Center. Contact me.My friend Maggie read my story when it was first posted on FB and decided to help us build a new traditionFrom our dear friends Nathalie and André. Part of the new tradition
In 2014 I experienced my first Christmas in my part of Canada (Quebec) where there was no snow. If it wasn’t the first, then it was the first I was cognizant of. That was pretty weird, but it didn’t really hit me until I was returning from Arnprior, Ontario on New Year’s Day after a visit to my sister’s home. We were driving south east along the Trans Canada between Ottawa and Montreal and I saw Geese flying North. Canada Geese are usually gone at this time of year, and they go South. With Global warming/climate change a real and challenging threat to our existence this got me thinking about how muddled things are and how we have messed with nature, and how now nature was messing with us. This song arrived pretty much in a chunk. No real work involved. I don’t think I even had to erase a word or a line. I am not saying this to brag, but to underline that necessity is the mother of invention. Of course the next year had a ton of snow and I din’t sing the song. Subsequent years have been very different. The norm seems to have gone from copious amounts of snow to variable conditions. This year, as I write, there is rain and freezing rain throughout the region bringing the relevance of this song into focus especially as there seem to be more politicians abusing their privilege to encourage behaviour detrimental to our planet.
The moments between
and the things unseen .
the life unlived
when locked to the screen
isolation in density
neutral propensity
to fill all space
and avoid the intensity
Of talking to strangers
no wishes, or ideas
no solitary peace
a template for living
laid out by others
distraction without release
remote notions by strangers
Recycled ideas and
seemingly profound
Psycho babble philosophies
And jokes and memes
Creations unstarted
the Books unread
the beautiful things unsaid
Between living organisms
In public places.
The living dead
the private voices inside our heads
That lead to discovery
And art
muted by this digital dementia
This craving for entertainment
And distraction.
not to mention the postural disasters
challenges of future chiropractors
as the stooped screen tappers
can’t let anything go un glimpsed
As the scenery and the weather and
Chance encounters in the analog world
go unsiezed